“Kinderschreibmaschine”
c. 2014 Rod Ice
All rights reserved
(2-14)
A persistent childhood
memory – my little, blue typewriter.
We had moved to central
Virginia in the summer of 1970. The device came as a Christmas gift, later that
year, or perhaps the next. It offered inspiration of a lasting kind. Because my
father was a professional writer, in addition to being a minister, the intent
seemed clear.
I was destined to follow
his footsteps as a theologian and scribe.
in our basement, I took an
old steel trash barrel and topped it with a square of plywood. This was my
first desk.
The blue-and-white word
machine used a matching blue ink ribbon. Documents produced by the device were
easily identified.
Years later, I felt unsure
of what the high-end toy was actually called. An online photo of the 1967 ‘Supertouch
80’ looked closest to what I remembered. Research yielded a sketchy portrait of
this device. It had been produced by a company in England. Or perhaps under
license from that enterprise.
Finally, a European
website provided insight into something similar to what I must have owned:
Schreibmaschinen – Byron Jardine Limited / Von der
Barlock zur Petite
“Die hier gezeigte
Kinderschreibmaschine wurde von einem Unternehmen hergestellt, das auf beruhmte
historische Wurzein in der Schreibmaschinenherstellung...”
My high school German
lessons failed here, although it was apparent that the term ‘kinderschreibmaschine’
in fact meant ‘child’s typewriter.’
The blog post referred to
a ‘Petite’ model with ‘Deutsch adaptiert’ for use where umlauts were needed.
The company address was Chelsea Street, New Basford, Nottingham, England.
A Google feature
translated the page into English. This made it more informative, but less
dramatic:
“The children typewriter
shown here was manufactured by a company that can refer to famous historical
roots in the typewriter manufacture in Nottingham, England. Inextricably linked
to this is the name of the Jardine family. The central figure was herein Ernest
Jardine (1859-1947). His father John Jardine (+1895), a trained watchmaker,
founded in Nottingham a top machine factory... Sir Ernest invested in the
flagging Barlock Typewriter Company as (it) was reorganized... in 1953 the
company (was renamed) Byron Business Machines. (Byron was a popular brand in
Great Britain.) “Petite Typewriters made in Nottingham... was probably the
first... children’s typewriter... the ‘Petite’ design was also adopted by the American
Western Stamping Co. but (sold) under the name of their traditional brand Tom
Thumb.”
My parents did not
remember the device with any greater clarity. Its fate largely remained
unknown. We moved many times during my childhood, so it could literally have
been left anywhere, in a number of different states.
Still, the blue machine
had an enormous impact on my life.
I used it to compose
poems, inspired by my maternal grandmother. It also helped prepare assignments
for Sunday School, at church.
Summer months were cool in
our basement. Yet I weathered hot days with an electric motor and a
model-airplane propeller, for a personal fan.
My office setup may have
been crude. But it set a template followed into modern times.
With the advent of
Internet technology, I continued to hunt for useful information about my
kinderschreibmaschine. Results were slim. A blog called ‘Machines of Loving
Grace’ offered a tidbit of information that confirmed my earlier findings:
“Western Stamping Co. in
the USA, which made the aforementioned Tom Thumb machines eventually stopped
making its own design and imported the Petite instead – but by special
arrangement it carried the Tom Thumb name... identifying features of this
family are the T-type or T-cross section keys... the long, thin key stems go
through holes in a flat cover.”
These were the kind of
white, plastic keys that I remembered.
Examples of the ‘Supertouch
80’ appeared on eBay and other online marketplaces. Prices ranged wildly from a
few dollars to a great deal more. Still, for being so common, none of the
descriptions offered many details. I could not find any blog posts about having
the machine as a kid. Or anything about how these toys helped create sales of
genuine typewriters. This seemed amazing because I was certain that thousands,
perhaps millions of other kids must have used these budget devices, as did I,
in days of yore.
It seemed that the Jardine
product had been largely forgotten.
But in my own world, the
‘Blue Machine’ was undeniably iconic. It literally introduced me to the craft
of creative writing.
For that, I would be
eternally grateful.
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